Devonport Dockyard loss of power 'had nuclear' implication Case Study

Devonport Dockyard loss of power 'had nuclear' implication - Case Study Example Failure of power can have serious implications (Sarkisov & Du Clos, 1999, p, 43). Greenpeace (2013) indicates that such failures can be disastrous such as what happened in Fukushima in 2011. The story was posted online by the British Broadcasting Corporation (BBC) on october7, 2013, for its readers, who access this particular media online. The sources of the content of this story include a report from a Ministry of Defense (MoD) (BBC, 2013). Another source for this article’s content was a nuclear analyst who said that the 90-minute power loss, at Devonport in Plymouth, could have been catastrophic. Also, the Office of Nuclear Regulation (ONR) contributed to the content of the story by issuing an Improvement Notice (Office for Nuclear Regulation, 2013). The report from internal investigation done by Babcock Marine has also been used in this article (Maritime Security, 2013). The online post of this news article has included pictures showing nuclear submarines in the dockyard and Babcock Marine. These two pictures represent the objects that are important to the story. According to Gilbert (2009, p, 32), in addition to having news leads, articles should have description leads that set the scene of a story and show a picture of someone or something that is important to the story,. The incident has been compared with the Fukushima incident (Mullen & Ogura, 2013). The story is of extreme interest to the readers because of their need to know the possible implications of the event. It has also been given priority because it occupied almost three-quarters of the web page. Headlines are bold and noticeable, and photographs have been included. However, according to the article, past events were revealed involving safety measures. The Devonport Royal Dockyard was served with an Improvement Notice and claimed that there was no immediate safety impact. Devonport Roy al Dockyard Limited was aware of the loss of electrical power, and it was satisfied that

Understanding Animation by Paul Wells Essay Example | Topics and Well Written Essays - 1250 words

Understanding Animation by Paul Wells - Essay Example In the very early stages of animation, people started thinking that a time will come when people will stare at the paintings and will ask themselves why the images or objects are so stiff by nature. Stuart Blackton has played a considerable role in distinguishing the concept of animated films as some sort of aesthetic vehicle outside the framework of live action films. The simple narrative film, The Haunted Hotel (1907), was a perfect example of Blackton’s filmmaking concept in which he made use of impressive supernatural sequences in order to convince filmmakers that animated pictures have different approach towards filmmaking and are unlimited in potential. The un-natural actions of The Haunted Hotel and all such animated films produced changes in the overall cultural climate. The Gothic and Romantic fiction movies started to incorporate the use of animations along with technological possibilities of new age of modernization. The concept of including comic strip into animate d films emerged somewhere between 1913 and 1917. In this period of time, filmmakers produced many films, such as, The Newlyweds, Dreamy Dud, and Krazy Kat, in which they integrated the use of comic strips with latest technology and new film concepts. The integration of comic strips determined that animation should relate itself with experimental values. The concept of comic strips into animated films emerged in the U.S. marketplace just when filmmakers, such as, Walter Ruttmann and Oskar Fischinger, brought the concept of experimental abstract animation to the European film industry. The concept of animation in filmmaking reached the heights of maturity in the late 20th century and until now; many filmmakers are consistently making use of animated films to attract a large number of people towards the cinema. The creation of Disney dominated the medium places in the form of realism and overshadowed the concepts of innovation and style-oriented animations. Presently, the principles of movements are over-enunciated in the dictionary of animation. The squash and stretch mode of Disney animation over compress character movements in order to provide an over-determined comic style to animation. The subjectivity of animation through the intrinsic capability of the medium for restricting realism made reality in animation difficult to execute. This chapter also provides us with the information that true animation is not the one, which is not non-linear or non-objective by nature. It means that to create a perfect animated film; there must be a contrast of objective and subjective elements present in the film. A perfect animated film is one, which concentrates on the use of unique vocabulary by distinguishing the film from all other filmmaking approaches. Summary – Chapter # 2 There are different styles and approaches towards animation. One can possibly argue that the hyperactive realistic animated movies and the Disney animation are the most prominent and disting uishing approaches towards animation. Many filmmakers from the early era of filmmaking and present era have made use of different animation approaches to create stylish and realistic animation movies. Those approaches provide filmmakers with unique set of rules and guidelines towards animated filmmaking. No approach is similar to any other approach. There are some distinguishing features in each of the approaches, which highlight different